interviews with women

30. Lily Baldwin: It’s Not My Own Trip /  by Elaine Sheldon

Lily Baldwin is a New York-based filmmaker and dancer that uses movement of the body and unconventional narrative structures to tell human stories. Her short films (Sea Meadow, A Juicebox Afternoon, Sleepover LA, and Swallowed) have played at festivals like SXSW, Berlinale EFM, and the Lincoln Center and been featured on NOWNESS, Short of the Week, Fandor, Filmmaker Magazine, and Vimeo Staff Picks. Lily fell into filmmaking when she was performing as a professional dancer in David Byrne’s two year world tour Everything That Happens Will Happen Today. Lily often writes, choreographs, directs, edits and plays the leading role in her films, seeking to “rip things up” with both graceful and rigid moments and scenes made up of bold, jarring edits. In other scenes, she’s simply another human on the street, walking with the rest of us. Lily is a Sundance Fellow with her upcoming VR project in collaboration with Saschka Unseld, Through You. She’s about to start shooting her first feature, Glass, a stalking thriller based on a real experience about a dancer and an insidious fan in our privacy-gone world. Lily talks about the rigor and commitment of dancers, coming into film as a “second career”, the responsibility she feels as an artist to pull from her own experiences and educate, and “working your buns off” to be the ultimate version of yourself.

“I think we have a responsibility to mine what we know. It’s great to make up stories and live in imagination but I feel like I can do a better job with something I’ve been through. Life is unlived, for me, if I don’t peel off the layers.”
 

MUSIC in this episode is by Michelle Blades. Listen to her music on Bandcamp or on Midnight Special Records' Soundcloud, and take a peek at her Tumblr.

Songs you heard: Subtropical Suburban, Crush! I Went to Your Party from the album Ataraxia // Le Bois, Lava Boy, Swallowing Truths & River Rocks, Yellow Petaled Coast from the album Songs From Another's Bed // My Grimey Dreams, I'll Let in the Outside Noise from the album & // 10th and Wilson Score off the EP Nah, See Ya // Making Friends In The Dark, It All Ends Here off the album Cold Shoulders

 

Name: Lily Baldwin

Current City: New York

What are you listening to now? I just went throwback on myself and have been listening pretty nonstop to Aphex Twin's Selected Ambient Works II

What film/book/show/piece of media changed you? There are too many to fit into this white box, but if I look at my bookshelf right this second, I'm going to say: Eadweard Muybridge's pictures and Murder She Wrote -- Jessica Fletcher is one of my favorite protagonists.

Who is your career role model? Cindy Sherman -- she's self taught, fearless about changing herself and isn't afraid to be ugly in her work.

What is a tool you can't live without? A Panasonic boombox from the 80's that I listen to NPR on.

How do you drink your coffee/tea? Coffee-- a super dark, greasy brew with a dash of cream

What's your spirit animal? Wolf.

Updates?  I'm thrilled to be premiering my short film Swallowed as part of the upcoming omnibus feature project, Collective:Unconscious, at SXSW as the first ever omnibus feature in competition! Next on the horizon this year is gearing up to shoot my first feature GLASS, a thriller inspired by a true stalking story. I'm also going to be directing a VR project, Through You, with Saschka Unseld in collaboration with Sundance. And on less immediate burners, I'm cooking up two episodic series!

 

 

CLIPS USED IN SHOW:

CREDITS:

  • Produced by Sarah Ginsburg & Elaine Sheldon
  • Sound design by Billy Wirasnik
  • Illustration by Christine Cover
  • Production Assistance by Alijah Case

22. Andrea Sisson: I Feel Purple Today /  by Elaine Sheldon

Andrea Sisson is a multidisciplinary visual artist who creates films, photos and performance art pieces for the design, art and fashion industries. Her work has been shown online and offline, in places like the São Paulo Museum of Image and Sound and on NOWNESS, where she featured Sia’s choreographer Ryan Heffington. She’s the co-director of “Everything Beautiful is Far Away,” a pop art sci-fi feature currently in post-production, and a feature documentary “I Send You This Place,” which Andrea made as a 2010 Fulbright Design Fellow. In 2013, Andrea and her husband Pete Ohs were selected as a duo for Filmmaker Magazine’s 25 New Faces of Independent Film. Andrea’s work is heavily influenced by the people, the colors, the environment and design that surrounds her. In this episode, we talk about Andrea’s love of travel, what it feels like to rediscover your teenage years, the intensity of falling in love, why we need to reassess mental illness, and how even “This American Life” gets online hate. Oh, and robot head girlfriends of course.

 

 

RELATED LINKS:

 

CLIPS USED IN SHOW:


 

CREDITS:

  • Produced by Sarah Ginsburg & Elaine Sheldon
  • Sound design by Billy Wirasnik
  • Illustration by Christine Cover
  • Production Assistance by Alijah Case
“There are so many things we think we’re supposed to be, or society tells us we’re supposed to be, and I’m always trying to not let those things cover me up.”
— Andrea Sisson

Name: Andrea Sisson

Current City: New York

What are you listening to now? On Being podcast, No No No Beruit

What film/book/show/piece of media changed you? Murakami's "1Q84" and "Wind Up Bird." "33 Artists in 3 Acts," (book), as well as "All Pasolini" (film)

Who is your career role model? Marina Abramovic

What is a tool you can't live without? Mm, my computer. Text message - its like an ongoing journal but not just to yourself to friends and people that also journal back. I love text.

How do you drink your coffee/tea? Americano w/milk

 

MUSIC in this episode is by Stag Hare. Zara is the MusicMaker behind this project and we'll be featuring her story in episode 22.5 on 11/11/2015). Listen to her music on Soundcloud & Bandcamp and visit her website and Facebook.

SONGS you heard: Grays (Doom and Gloom Mantra), T I R E D from Angel Tech // Holy Quinn, Crystal Dust Dream, Oz from Black Medicine Music // y2 Soul Dive, Raga (dream) from Pongdools // To Coyoto to to Hop, Asha Moon Canoes from Spirit Canoes // Pulse Cocoon from Vessel - Part One

 

 

 

 

 

19. Stacy Kranitz: I Play A Little With Fire /  by Elaine Sheldon

Stacy Kranitz is a documentary photographer who explores history, representation and otherness. She has developed her style, one that is full of movement, emotionally raw, gritty and features individuals in their environments. These individuals are sometimes new subjects, and other times her longtime friends; folks she has been documenting since she started her work in Appalachia in 2009. Stacy’s photos are sometimes bloody, many times violent, often sexualized, occasionally drug-induced, and always causing a stir. She has documented people and places all around the world, including snake handlers in Appalachia, cockfighting in Louisiana and black metal bands in Norway. Her work has been featured in VICE, New York Times Magazine, CNN, Mother Jones, TIME and Oxford American, among others. She also just completed her first feature documentary, “From the Study on Post-Pubescent Manhood.” In this episode, Stacy talks about facing criticism, the dishonesty of photojournalism, documenting violent situations, living out of her car, and blurring the lines between photographer and subject.

Related Links:

Stacy's Instagram

Stacy's Work:

 "As It Was Given To Me" (Appalachia work)

"The Crevasse Of The Reich" (Nazi Reenactors)

Skatopia (TIME)

"Life In Appalachia. Regression to the Mean" (CNN)

"Sausage Castle" (VICE)

Black Metal Bands in Norway (Revolver)

Cockfights in Louisiana

Interview with Stacy (ISSUE Magazine)

Trailer for Stacy's feature doc, "From the Study on Post Pubescent Manhood"

“I don’t like being yelled at. I don’t like having a subject tell me that I treated them poorly, or I misrepresented them. That is difficult. But I can’t make this work without knowing that that’s going to be part of it. Even if the conversation goes against me and is not in favor of what I’m doing, it’s still part of the greater good of what I want from the project.”
— Stacy Kranitz

Name: Stacy Kranitz

Current City: Los Angeles

What are you listening to now? Diana Ross, Reach out I'll Be There

What film/book/show/piece of media changed you? 

  • Trihn T Min-Ha's film Reassemblage
  • George Gittoes's film The Miscreants of Taliwood
  • Elizabeth Barret's film Stranger With a Camera
  • Walid Raad's Atlas Project
  • Martha Rosler's writings on Documentary photography
  • Boris Mikhlov's book of photographs, Case History
  • Ed Templeton's Zines Teenagers Kissing and Teenagers Smoking
  • Carrie Mae Weems The Kitchen Table series
  • Peter Matthiessen's novel Shadow Country

Who is your career role model? Leni Riefenstahl. Rather than seek out a simple role model who fits a classic heroine profile, I am intrigued by the complex story of a woman I both love and hate. In Riefenstahl, I find a multidimensional character with a focused vision and a murky set of morals. These grey areas speak to my desire to understand people beyond the constraints of good versus evil. 

What is a tool you can't live without? Dresses with flowers on them

How do you take your coffee/tea? iced coffee, with a little bit of cream

What's your spirit animal? All the alligator's that live in Lake Martin, Louisiana

Updates? I'll be in Central Appalachia this summer working on my project As it Was Give(n) To Me. In October this project will be shown in Wales as part of the Diffusion photography festival. I just finished my first feature length documentary film, From the Study on Post-Pubescent Manhood.

CREDITS:

Produced by Elaine Sheldon & Sarah Ginsburg

Sound design by Billy Wirasnik

Illustration by Christine Cover

 

MUSIC by Dirty Dishes (meet Jenny next week!)

  • Dinner Bell
  • Sugar Plum Fairies
  • Guilty
  • Lackluster
  • Dan Cortez

CLIPS FEATURED IN SHOW:

Skatopia (trailer)

17. Pamela Ribon: Finding Your Own Fun /  by Elaine Sheldon

Pamela Ribon is a television writer, screenwriter, best-selling novelist and all around hilarious human. She’s been a writer in comedy rooms for both network and cable television and is the author of four novels. NPR called her new memoir, Notes to Boys, “brain-breakingly funny.” Pamela has developed original series and features for ABC, ABC Family, Warner Bros., Disney Channel and 20th Century Fox Productions. She recently finished working on a feature for Walt Disney Animation Studios and she’s currently writing for Sony Pictures Animation on an upcoming feature. Pamela started writing on the web in 1998, before most people even knew what a blog was. She has been building her audience ever since, breaking the internet with “Barbie F*cks It Up Again,” among other posts. We talk about standup comedy, how to make your work go viral, and why it’s important to mind your our beeswax and find your own fun.

“Wanting what other people have will never get you what you want, because you’re not spending time finding your own fun. It’s not fun to be jealous of people and it’s such a waste of time, because nobody has the same story. You can take the craziest route if you just follow what’s interesting to you.”
— Pamela Ribon

RELATED LINKS:

Name: Pamela Ribon

Current City: Los Angeles

What are you listening to now? Podcasts: Scriptnotes, The Dinner Party Download, Pop Culture Happy Hour, Extra Hot Great

What film piece of media changed you? The Family Ties episode "A, My Name is Alex." It was an hour-long "very special" episode about Alex going to therapy after the sudden death of a close friend. Shot like a play, Alex moved in and out of the set, talking to an unseen therapist while playing out scenes with his family and friends. Seeing a sitcom tackle something so serious, mixing comedy with drama, letting Michael J Fox "act" so hard, completely blew my young mind. Comedy could help? Comedy could get serious? A sitcom could make me cry? I still remember jokes from it, so it also made me laugh. Because this episode is such a long ago memory, I originally assumed this epiphany happened only to me, but I've met more than one writer who also named this episode as an important moment in their young lives. Wikipedia says it won a shit-ton of awards, so I guess it wasn't just us kids knowing it was a good. 

Who is your career role model? Tina Fey, John Waters, Penn Jillette, Peggy Olson, Bjork, Leslie Knope.

What is a tool you can't live without? Spotify

How do you drink your coffee/tea? Black

What's your spirit animal? Hello Kitty. It used to be Batz Maru. I am evolving.

Any updates since we interviewed you? I'm currently writing a feature for Sony Animation and a comedy pilot for the Disney Channel. Everything else is under various NDAs.

MUSIC FEATURED IN SHOW:

Music this week is by Springtime Carnivore. 

Listen to Episode 17.5 with Greta Morgan of Springtime Carnivore!

TRACKS: Karen Bird’s Themes, Talk To Me Slow, Last One To Know, Foxtrot Freak, Collectors, Western Pink, Name on a Matchbook, Low Clouds, Two Scars

 

CREDITS:

Produced by Elaine Sheldon & Sarah Ginsburg

Sound design by Billy Wirasnik

Illustration by Christine Cover

Production Assistance by Alijah Case

CLIPS FEATURED IN SHOW:

Good Morning America Barbie Segment 1 & 2

Barbie Commercial "Cut & Style Barbie"