sundance film festival

33. Sabaah Folayan: Everything Is Practice /  by Elaine Sheldon

Sabaah Folayan is an activist and storyteller who illuminates the humanity, resilience and beauty in the struggle of communities as they mobilize and fight for justice. She merged her dedication to human rights and a newfound passion for film with Whose Streets?, a feature documentary chronicling the experience of Ferguson community members after the fatal shooting of Michael Brown. Sabaah and her co-director Damon Davis are premiering Whose Streets? at Sundance 2017, but this episode’s conversation took place in October of 2015, when Sabaah was still in the depths of production and stepped away to pitch the film at Camden International Film Festival’s Points North Forum in Maine. We talk with Sabaah about moving to Ferguson, working to understand the complexities of the situation amongst a sea of sensational headlines, the unique education she had between living off the land in Hawaii and living in divergent Los Angeles neighborhoods, and the forever valuable lesson she learned as a basketball player, “Everything you do is practice for the next time you do it.” The music in this episode is off Velvet and Bone, a new album by a past MusicMaker, Stag Hare.

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MUSIC in this episode is off a new album titled Velvet and Bone by past She Does MusicMaker and friend, Stag Hare. Willow (formerly Zara) is the MusicMaker behind Stag Hare and was featured in Episode 22.5. Listen to and buy her music via Bandcamp and visit her website and Facebook.

“Space has been so privatized. We’ve been so socialized to be individuals and be on our own and our lives are our own little bubbles. I think that it was such a relief for people to just lock arms and say that ‘I’m feeling this too.’”

Related LINKS:

 

 

 

 

 

CLIPS used in show: 

CREDITS:

  • Produced by Sarah Ginsburg & Elaine Sheldon
  • Sound design by Billy Wirasnik
  • Illustration by Christine Cover

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30. Lily Baldwin: It’s Not My Own Trip /  by Elaine Sheldon

Lily Baldwin is a New York-based filmmaker and dancer that uses movement of the body and unconventional narrative structures to tell human stories. Her short films (Sea Meadow, A Juicebox Afternoon, Sleepover LA, and Swallowed) have played at festivals like SXSW, Berlinale EFM, and the Lincoln Center and been featured on NOWNESS, Short of the Week, Fandor, Filmmaker Magazine, and Vimeo Staff Picks. Lily fell into filmmaking when she was performing as a professional dancer in David Byrne’s two year world tour Everything That Happens Will Happen Today. Lily often writes, choreographs, directs, edits and plays the leading role in her films, seeking to “rip things up” with both graceful and rigid moments and scenes made up of bold, jarring edits. In other scenes, she’s simply another human on the street, walking with the rest of us. Lily is a Sundance Fellow with her upcoming VR project in collaboration with Saschka Unseld, Through You. She’s about to start shooting her first feature, Glass, a stalking thriller based on a real experience about a dancer and an insidious fan in our privacy-gone world. Lily talks about the rigor and commitment of dancers, coming into film as a “second career”, the responsibility she feels as an artist to pull from her own experiences and educate, and “working your buns off” to be the ultimate version of yourself.

“I think we have a responsibility to mine what we know. It’s great to make up stories and live in imagination but I feel like I can do a better job with something I’ve been through. Life is unlived, for me, if I don’t peel off the layers.”
 

MUSIC in this episode is by Michelle Blades. Listen to her music on Bandcamp or on Midnight Special Records' Soundcloud, and take a peek at her Tumblr.

Songs you heard: Subtropical Suburban, Crush! I Went to Your Party from the album Ataraxia // Le Bois, Lava Boy, Swallowing Truths & River Rocks, Yellow Petaled Coast from the album Songs From Another's Bed // My Grimey Dreams, I'll Let in the Outside Noise from the album & // 10th and Wilson Score off the EP Nah, See Ya // Making Friends In The Dark, It All Ends Here off the album Cold Shoulders

 

Name: Lily Baldwin

Current City: New York

What are you listening to now? I just went throwback on myself and have been listening pretty nonstop to Aphex Twin's Selected Ambient Works II

What film/book/show/piece of media changed you? There are too many to fit into this white box, but if I look at my bookshelf right this second, I'm going to say: Eadweard Muybridge's pictures and Murder She Wrote -- Jessica Fletcher is one of my favorite protagonists.

Who is your career role model? Cindy Sherman -- she's self taught, fearless about changing herself and isn't afraid to be ugly in her work.

What is a tool you can't live without? A Panasonic boombox from the 80's that I listen to NPR on.

How do you drink your coffee/tea? Coffee-- a super dark, greasy brew with a dash of cream

What's your spirit animal? Wolf.

Updates?  I'm thrilled to be premiering my short film Swallowed as part of the upcoming omnibus feature project, Collective:Unconscious, at SXSW as the first ever omnibus feature in competition! Next on the horizon this year is gearing up to shoot my first feature GLASS, a thriller inspired by a true stalking story. I'm also going to be directing a VR project, Through You, with Saschka Unseld in collaboration with Sundance. And on less immediate burners, I'm cooking up two episodic series!

 

 

CLIPS USED IN SHOW:

CREDITS:

  • Produced by Sarah Ginsburg & Elaine Sheldon
  • Sound design by Billy Wirasnik
  • Illustration by Christine Cover
  • Production Assistance by Alijah Case

2. Lyric Cabral: You Gotta Have a Beat /  by Elaine Sheldon

Lyric Cabral is a photojournalist and documentary filmmaker based in the Bronx. She, along with her co-director David Felix Sutcliffe, premiered her feature-length film (T)ERROR at Sundance this year in the US Documentary category. (T)ERROR is billed as “the first film to document on camera a covert counterterrorism sting,” but the documentary has been in the works for over a decade. Lyric came across the film’s subject, an FBI informant, when she was only 19, but knew she was too young to tackle the story then. Lyric talks about the uncomfortable situations she’s found herself in as a photojournalist, being inspired by Gordon Parks, spending over a decade covering national security issues, and returning to a story 12 years after discovering it.

Name: Lyric R. Cabral

Current City: New York City

DOB: 1982

What are you listening to? D'angelo and the Vanguard "Black Messiah"

What film/book/show/piece of media changed you? I really appreciate the silent film "Sidewalk Stories" by Charles Lane. I saw the film at a time when I was making the professional transition from still photography to moving images. The film is quite moving for me because each frame is beautifully photographed, and reflects an attention to detail that reveals the sensitivities and struggles of life in New York city.

Who is your career role model? Someone who I admire personally and professionally is filmmaker Shola Lynch. I value that her body of work critically examines the lives of Black women (Shirley Chisholm, Angela Davis) in America, as these stories are typically lesser seen on screen. Shola is a meticulous archivist and historian, who researched "Free Angela" for 8 years. I am inspired by the tremendous commitment that motivates each of her films, and by the engaging narratives that she presents on screen.

What is a tool you can't live without? I really appreciate Twitter. I am able to access the perspectives of citizen journalists around the world, and research stories in a unique way.

How do you take your coffee?  One sugar and a little whole milk

What’s your spirit animal? A calico cat

 

LyricCabral-SheDoesPodcast
 

RELATED LINKS

“I am the type of journalist that I’m never done. I don’t drop in and drop out. Whether they get a Christmas card from me, or I try to call, I just really try to stay in touch with people. I really don’t like the feeling of: I come in. I document you. I publish it. And then I just leave you alone with the consequences of whatever happens because you are now public. I’m never quite done.”
— Lyric R. Cabral

CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

 

CLIPS FEATURED IN SHOW:

Blank Panther archival, (T)ERROR