sundance 2015

5. Kara Oehler: Being Really Internetty by Elaine Sheldon

It’s difficult to sum up what Kara Oehler does in a single title. The process quickly turns into a hyphenated chain of words--documentarian-radio producer-tech founder-interactive media producer-entrepreneur-academic. We chatted with the co-founder of Zeega and GoPop--the latter which was recently acquired by Buzzfeed--about her early influences, growing up in the woods of Indiana, starting communities like UnionDocs Collaborative Studio and metaLAB at Harvard, living out of her car to document Main Streets across America, and being a female in the tech and startup world. Come along for the ride, it’s a lot of fun.


To start a genre, and to form a community, you have to make up all the words for it. There are a lot of words like that, interactive documentary is one. There was point where that combination of words had no search results on Google. But then you start writing about it, talking about it at conferences and then it becomes a genre.
— Kara Oehler, co-founder of Zeega & GoPop

RELATED LINKS

Kara on Twitter

Buzzfeed Acquires Go-Pop

Zeega Storytelling Platform

Union Docs Collaborative

Mapping Main Street Interactive Documentary

Kara’s Audio Documentaries: Third Coast Festival 

Matter VC 

Kara as “Woman Celebrates 4th Year Of Weaning Self Off Facebook“ via The Onion

How to Pronounce GIF


Who is your career role model? I've got an incredible group of passionate friends and family who are all doing amazing work. I get inspiration from them every day. And my parents.

What is a tool you can't live without? I love my Sound Devices 722. I've had it since 2005 and it creates the most beautiful recordings. And this winter, my LL Bean duck boots have been clutch.

How do you take your coffee? At home: french press, black. At a fancy coffee shop: latte.

What's your spirit animal? Llamacorn (Llama + Unicorn)

Name: Kara Oehler

Current City: Brooklyn, NY

Date of Birth: 1978

What are you listening to now? I'm loving the Radiotopia podcasts, Gimlet podcasts, and Invisibilia. I find out about new releases from Other Music's email list and listen to a lot of WFMU.

What film/book/show/piece of media changed you? I'm a huge admirer of South African artist William Kentridge. The first piece I saw of his was a work called Black Box / Chambre Noir. It was a study for his artistic direction of a staging of the opera The Magic Flute, employing charcoal drawings, mechanical moving puppets and projections within a black box. He used this medium to tell the story of the Herero genocide in Namibia under German colonial rule in the early 1900s. The piece completely took me by surprise. I sat in front of it for a couple hours and wept. In 2010, I interviewed Kentridge and asked him about approaching subjects like genocide or apartheid in this way. Here's what he said:

“To be human at all is to say, we need to forget a huge amount. But hold on to a tiny amount. But there’s some band between remembering and forgetting in which we can survive and exist. And I suppose the drawings in one sense take that narrow band and move within it and say, this is the band within human experience.”

I think it’s often the job of storytelling to try and find that band - that entry point for people to be able to take in information and question their own role as a witness or participant, or to just simply connect with a stranger's story. And this is something that Kentridge does with so much thought, emotion and skill.


CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

CLIPS FEATURED IN SHOW:

Suzuki Method 

This American Life #277, Apology 

Korva Coleman (NPR)

“And I Walked” Third Coast

2008 Presidential Debate 

2. Lyric Cabral: You Gotta Have a Beat by Elaine Sheldon

Lyric Cabral is a photojournalist and documentary filmmaker based in the Bronx. She, along with her co-director David Felix Sutcliffe, premiered her feature-length film (T)ERROR at Sundance this year in the US Documentary category. (T)ERROR is billed as “the first film to document on camera a covert counterterrorism sting,” but the documentary has been in the works for over a decade. Lyric came across the film’s subject, an FBI informant, when she was only 19, but knew she was too young to tackle the story then. Lyric talks about the uncomfortable situations she’s found herself in as a photojournalist, being inspired by Gordon Parks, spending over a decade covering national security issues, and returning to a story 12 years after discovering it.


Name: Lyric R. Cabral

Current City: New York City

DOB: 1982

What are you listening to? D'angelo and the Vanguard "Black Messiah"

What film/book/show/piece of media changed you? I really appreciate the silent film "Sidewalk Stories" by Charles Lane. I saw the film at a time when I was making the professional transition from still photography to moving images. The film is quite moving for me because each frame is beautifully photographed, and reflects an attention to detail that reveals the sensitivities and struggles of life in New York city.

Who is your career role model? Someone who I admire personally and professionally is filmmaker Shola Lynch. I value that her body of work critically examines the lives of Black women (Shirley Chisholm, Angela Davis) in America, as these stories are typically lesser seen on screen. Shola is a meticulous archivist and historian, who researched "Free Angela" for 8 years. I am inspired by the tremendous commitment that motivates each of her films, and by the engaging narratives that she presents on screen.

What is a tool you can't live without? I really appreciate Twitter. I am able to access the perspectives of citizen journalists around the world, and research stories in a unique way.

How do you take your coffee?  One sugar and a little whole milk

What’s your spirit animal? A calico cat

 

LyricCabral-SheDoesPodcast
 

RELATED LINKS

I am the type of journalist that I’m never done. I don’t drop in and drop out. Whether they get a Christmas card from me, or I try to call, I just really try to stay in touch with people. I really don’t like the feeling of: I come in. I document you. I publish it. And then I just leave you alone with the consequences of whatever happens because you are now public. I’m never quite done.
— Lyric R. Cabral

CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

 

CLIPS FEATURED IN SHOW:

Blank Panther archival, (T)ERROR