women in technology

11. Kat Cizek: Making Everything From Scratch /  by Elaine Sheldon

Kat Cizek is an innovative documentary storyteller who works across many media platforms. She’s currently the director of the National Film Board of Canada’s multi-year project entitled HIGHRISE, which examines life inside residential skyscrapers in suburbs around the world. Since it launched in 2009, HIGHRISE has generated interactive documentaries, mobile productions, live presentations, installations and films that have garnered Emmys, a Peabody, Webby Awards and recognition from the World Press Photo and IDFA Doc Lab, among others. Kat and the NFB just released the latest and final HIGHRISE project, “Universe Within,” that explores people’s digital lives online. We spoke to Kat about her life growing up in Waterloo in the late 60’s  after her parents escaped the Russian invasion of what was then Czechoslovakia. Kat talks about being at the frontlines of the Oka Crisis in Canada, a defining moment in her career and first-nations history in Canada. And her nearly 11 year relationship with the National Film Board of Canada through the Filmmaker in Residence and Highrise projects. Kat encourages us to explore new and meaningful ways to approach technology, and challenges us to evaluate our methods and ethics as storytellers.

“I have been preoccupied with the role of the subject for most of my working life. It’s about understanding that a subject isn’t a subject. A subject is an agent in their own world and how can we work together to create interesting media that will contribute positively in this community. Too often we get so enamored with the technology that we forget about that.”
— Kat Cizek

Name: Katerina Cizek

Current City: Toronto, Canada

DOB: 10/19/1969

What are you listening to now? Tanya Tagaq Animism

What film changed you? Opened your eyes? Vertov's silent film 'Man With a Movie Camera" (1929) The first great example of the power of the edit. It's documentary plus. About the city, about the camera, about the street. about revolution. I love Cinematic Orchestra's live re-scoring of it too.

Who is your career role model? Alanis Obomsawin. I first saw her behind the barricades in 1990, when the Canadian Army had surrounded the First Nations community of Kanesatake. I was there as a student photojournalist, she was there with her camera crew, shooting her masterpiece documentary series about the crisis. Seeing her there inspired me to become a documentarian. Years later, I made a short digital documentary piece and a short film about her. 

What is a tool you can't live without? Long Johns--I'm Canadian.

How do you take your coffee/tea? Tea. Black.

What's your spirit animal? Owl

CLIPS FEATURED IN SHOW:

Russia Invades Czechoslovakia

Leonard Cohen "Suzanne"

Seeing Is Believing

Challenge for Change NFB (1 & 2)

Filmmaker In Residence NFB

HIGHRISE: Out My Window

HIGHRISE: One Millionth Tower

HIGHRISE: A Short History of the Highrise 

HIGHRISE: Universe Within

Večerníček (Czech Animation)

CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

MUSIC FEATURED IN SHOW: Our featured musicmaker this week is Audrey Ryan. Download her music on Bandcamp. Read our interview with her here.

Let's Go To The Vamp (album)

  • Oh The Ego
  • Snibber
  • Holding Back

Sirens (album)

  • Casiotone
  • Lift Me Up

I Know, I Know (album)

  • Are You Sleeping
  • Alright
  • I know I know
  • So Afraid
  • Maybe

Dishes & Pills (album)

  • People

7. Ingrid Kopp: A Treasure Hunt Around The Web /  by Elaine Sheldon

Ingrid Kopp has been exploring the highest peaks and lowest valleys of independent film for the past 15 years and for the past 6 years has been island hopping to discover intersections between storytelling, social media and technology. As the Director of Interactive at the Tribeca Film Institute, Ingrid supports interactive and cross-platform projects through the TFI New Media Fund and TAA Interactive Prototype Fund. She is the creator of Tribeca Hacks, TFI Interactive and the curator of Storyscapes at the Tribeca Film Festival. All of these spaces invite story, tech and design into the same room to foster conversations and collaborations. In this episode of She Does, Ingrid talks about growing up in South Africa during apartheid, the balance between offline and online communities, lack of diversity in technology and curation, and her dreams to write a book and climb Mt. Kilimanjaro--at the same time.

“In order to get where we want to go, which is creating really amazing pieces of work for audiences everywhere, you need to have diverse production teams and diverse audiences. It makes the work better.”
— Ingrid Kopp

RELATED LINKS

Google Hangout with Lina (ep 6) & Ingrid (ep 7) on April 10 at 3 PM (EST) 

Storyscapes lineup (April 16 – 19): 

TFI Interactive day (April 18)

Ingrid on Twitter 

Ingrid on IndieWire 

Ingrid’s Interactive Playlist

Tribeca Sandbox (resources) 

Name: Ingrid Kopp

Current City: Brooklyn, NY

DOB: 1973

What's on your current playlist? 

Podcasts: StartUp, Invisibilia, Desert Island Discs, Start The Week. I love BBC Radio 4 podcasts, a sign of my age perhaps. 

Music: Billy Bragg, Miriam Makeba and Just A Band.

What piece(s) of media changed you?

Films: Divorce Iranian Style by Kim Longinotto; The Leader, The Driver and The Driver's Wife by Nick Broomfield; Moonstruck by Norman Jewison.

Books: All the RE:Search books but especially Angry Women and Angry Women in Rock. The Snow Leopard by Peter Matthiessen. Don't Let's Go To The Dogs Tonight by Alexandra Fuller. Pride and Prejudice by Jane Austen. Also, all Shakespeare plays. 

Shows: Every show I went to at Gilman in Berkeley 1995/96. Sonic Boom: The Art of Sound, a show at the Hayward Gallery in London in 2000 got me excited about installations.

Who are your career role models? Debra Zimmerman, from Women Make Movies; Jess Search, from BRITDOC; and Peter Dale from Rare Day. Peter was my first boss in media and an incredible mentor, supporter and all round good person.

What tool(s) can't you live without? My iPhone, a huge bag with a book or two in it, Moleskine notebooks and a good pen.

How do you drink your coffee/tea?  Strong coffee. I have been known to order quad lattes which I think are actually a heart risk!

Spirit animal? Goat. I love goats, and by the way, I loved goats before the Internet loved goats.

MUSIC FEATURED IN SHOW:

  • Zebrat - A Childish World, Imagination

  • Podington Bear - Button Mushrooms, Formant, Resonant Ducs, Rainbow Architecture, Infant

  • Ketsa - Shiny Clouds

CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

CLIPS FEATURED IN SHOW:

6. Lina Srivastava: Hashtags Don’t Make Change /  by Elaine Sheldon

Lina Srivastava is an impact strategist who combines media, technology, art and storytelling for social transformation. She has assisted filmmakers (“Born Into Brothels,” “Inocente,” “Who is Dayani Cristal”) in positioning their media to have meaningful impact. She also provides design consultation to social impact organizations, including UNESCO, the World Bank and UNICEF.  She practiced law for four years, before transitioning to the social impact field. She shares how she has helped filmmakers create impact campaigns to make real change, including providing clean water for a community in Honduras. Whether you are plugged into the impact metrics conversation, or feel alienated by it, this episode is for you. Lina breaks down how to catalyze and amplify social impact through creative media and warns of pitfalls she sees in the industry, shattering unrealistic expectations and pressure put on filmmakers to make change. 

“Newsworthiness, in terms of documentary, is a really good standard. But a higher standard is ethics and accuracy. And when you’re thinking about social impact documentary, I go that step further in saying, if I’m documenting a particular social issue, I’m going to have to figure out what I can do. Some people think that documentarians are aligned with journalists, and you shouldn’t interfere. I don’t come out of that tradition. I’m an activist, I’m like, ‘We have to do something. We can’t just hijack somebody’s story.’”
— Lina Srivastava

RELATED LINKS

Lina on Twitter

Regarding Humanity on Facebook

Lina’s Blog

Lina's Current Projects: Priya’s Shakti, Who Is Dayani Cristal?, Traveling While Black.

Lina curated list on MIT’s Docubase

Lina on Huffington Post

Name: Lina Srivastava

Current City: New York

What are you listening to now? Radio Gladys Palmera, The Avener, and Cassandra Wilson are in rotation right now.

What film/book/show/piece of media changed you? This is a hard question to answer because there have been so many. When I was in grade school, we used to be assigned Newbery Award winning books. I especially remember A Wrinkle in Time, From the Mixed-Up Files of Mrs. Basil E. Frankweiler, Roll of Thunder Hear My Cry, and The Westing Game. They were mind-expanding, sparking a young and active imagination. As I grew up, Things Fall Apart, 100 Years of Solitude, and Pride and Prejudice did. In the past few years or so, Junot Diaz, Zadie Smith, Nicole Krauss, Hilary Mantel, Nayyirah Waheed, Colum McCann, and Aleksander Hemon have all opened my eyes. So did the film The Act of Killing. And of course Who Is Dayani Cristal?

Who is your career role model? Paola Antonelli, Senior Curator of the Department of Architecture & Design, as well as the Director of R&D at MoMA. A pioneer and innovator who stands above the crowd in a (male-dominated) field of pioneers and innovators.

What is a tool you can't live without? My cell phone. Pure and simple.

How do you drink/take your coffee/tea? Hot, milk and sugar

What's your spirit animal? Butterfly

CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

MUSIC FEATURED IN SHOW: 

Learn about our featured MusicMaker, Ana Karina DaCosta, here.

The Derevolutions: 

  • I Feel A Goo World

  • Automate Your Soul

  • Take it to the Hoop

  • Living in the Not World

  • Crazy Janey

28 Degrees Taurus:

  • From Part to Part, All the Stars in Your Eyes, Hearts Were Made

  • Off album Underwater Love Sequences EP: Circle & Cross

  • Off album How Do You Like Your Love: Moments, Phases & Timing

  • Off album Mirrors & Gates: Heart Attack

CLIPS FEATURED IN SHOW:

5. Kara Oehler: Being Really Internetty /  by Elaine Sheldon

It’s difficult to sum up what Kara Oehler does in a single title. The process quickly turns into a hyphenated chain of words--documentarian-radio producer-tech founder-interactive media producer-entrepreneur-academic. We chatted with the co-founder of Zeega and GoPop--the latter which was recently acquired by Buzzfeed--about her early influences, growing up in the woods of Indiana, starting communities like UnionDocs Collaborative Studio and metaLAB at Harvard, living out of her car to document Main Streets across America, and being a female in the tech and startup world. Come along for the ride, it’s a lot of fun.

“To start a genre, and to form a community, you have to make up all the words for it. There are a lot of words like that, interactive documentary is one. There was point where that combination of words had no search results on Google. But then you start writing about it, talking about it at conferences and then it becomes a genre.”
— Kara Oehler, co-founder of Zeega & GoPop

RELATED LINKS

Kara on Twitter

Buzzfeed Acquires Go-Pop

Zeega Storytelling Platform

Union Docs Collaborative

Mapping Main Street Interactive Documentary

Kara’s Audio Documentaries: Third Coast Festival 

Matter VC 

Kara as “Woman Celebrates 4th Year Of Weaning Self Off Facebook“ via The Onion

How to Pronounce GIF

Who is your career role model? I've got an incredible group of passionate friends and family who are all doing amazing work. I get inspiration from them every day. And my parents.

What is a tool you can't live without? I love my Sound Devices 722. I've had it since 2005 and it creates the most beautiful recordings. And this winter, my LL Bean duck boots have been clutch.

How do you take your coffee? At home: french press, black. At a fancy coffee shop: latte.

What's your spirit animal? Llamacorn (Llama + Unicorn)

Name: Kara Oehler

Current City: Brooklyn, NY

Date of Birth: 1978

What are you listening to now? I'm loving the Radiotopia podcasts, Gimlet podcasts, and Invisibilia. I find out about new releases from Other Music's email list and listen to a lot of WFMU.

What film/book/show/piece of media changed you? I'm a huge admirer of South African artist William Kentridge. The first piece I saw of his was a work called Black Box / Chambre Noir. It was a study for his artistic direction of a staging of the opera The Magic Flute, employing charcoal drawings, mechanical moving puppets and projections within a black box. He used this medium to tell the story of the Herero genocide in Namibia under German colonial rule in the early 1900s. The piece completely took me by surprise. I sat in front of it for a couple hours and wept. In 2010, I interviewed Kentridge and asked him about approaching subjects like genocide or apartheid in this way. Here's what he said:

“To be human at all is to say, we need to forget a huge amount. But hold on to a tiny amount. But there’s some band between remembering and forgetting in which we can survive and exist. And I suppose the drawings in one sense take that narrow band and move within it and say, this is the band within human experience.”

I think it’s often the job of storytelling to try and find that band - that entry point for people to be able to take in information and question their own role as a witness or participant, or to just simply connect with a stranger's story. And this is something that Kentridge does with so much thought, emotion and skill.

CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

CLIPS FEATURED IN SHOW:

Suzuki Method 

This American Life #277, Apology 

Korva Coleman (NPR)

“And I Walked” Third Coast

2008 Presidential Debate 

2. Lyric Cabral: You Gotta Have a Beat /  by Elaine Sheldon

Lyric Cabral is a photojournalist and documentary filmmaker based in the Bronx. She, along with her co-director David Felix Sutcliffe, premiered her feature-length film (T)ERROR at Sundance this year in the US Documentary category. (T)ERROR is billed as “the first film to document on camera a covert counterterrorism sting,” but the documentary has been in the works for over a decade. Lyric came across the film’s subject, an FBI informant, when she was only 19, but knew she was too young to tackle the story then. Lyric talks about the uncomfortable situations she’s found herself in as a photojournalist, being inspired by Gordon Parks, spending over a decade covering national security issues, and returning to a story 12 years after discovering it.

Name: Lyric R. Cabral

Current City: New York City

DOB: 1982

What are you listening to? D'angelo and the Vanguard "Black Messiah"

What film/book/show/piece of media changed you? I really appreciate the silent film "Sidewalk Stories" by Charles Lane. I saw the film at a time when I was making the professional transition from still photography to moving images. The film is quite moving for me because each frame is beautifully photographed, and reflects an attention to detail that reveals the sensitivities and struggles of life in New York city.

Who is your career role model? Someone who I admire personally and professionally is filmmaker Shola Lynch. I value that her body of work critically examines the lives of Black women (Shirley Chisholm, Angela Davis) in America, as these stories are typically lesser seen on screen. Shola is a meticulous archivist and historian, who researched "Free Angela" for 8 years. I am inspired by the tremendous commitment that motivates each of her films, and by the engaging narratives that she presents on screen.

What is a tool you can't live without? I really appreciate Twitter. I am able to access the perspectives of citizen journalists around the world, and research stories in a unique way.

How do you take your coffee?  One sugar and a little whole milk

What’s your spirit animal? A calico cat

 

LyricCabral-SheDoesPodcast
 

RELATED LINKS

“I am the type of journalist that I’m never done. I don’t drop in and drop out. Whether they get a Christmas card from me, or I try to call, I just really try to stay in touch with people. I really don’t like the feeling of: I come in. I document you. I publish it. And then I just leave you alone with the consequences of whatever happens because you are now public. I’m never quite done.”
— Lyric R. Cabral

CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

 

CLIPS FEATURED IN SHOW:

Blank Panther archival, (T)ERROR

Teaser /  by Elaine Sheldon

Photo by Kerrin Sheldon

Photo by Kerrin Sheldon

 

Elaine Sheldon and Sarah Ginsburg introduce their new podcast, which launches on January 14th, 2015. Listen to soundbites from the first episodes of the series. Find us on on iTunes and Soundcloud. 

Thanks to our partner, Filmmaker Magazine, who will be running articles about each of our guests and co-hosting our bi-weekly Google Hangouts where YOU get to ask our guests your questions.

GUESTS FEATURED IN TEASER:
Bianca Giaever
Katie McKay
Anna Sale
Kara Oehler
Ingrid Kopp
Lyric Cabral
Lina Srivastava
Katja Blichfeld

MUSIC: 
"Kosmiche Slop" by Anenon 
"Proton Beat" by Gangi 
"Siesta" by Jahzzar
"Ascendant" by K. Laba Music